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"The Concerto has attracted relatively little attention as a genre, Joseph Kerman observes, and his urbane and wide-ranging Norton Lectures fill the gap in a way that will delight all music listeners. Kerman addresses the full range of the concerto repertory, treating both the general and the particular."--BOOK JACKET. "Concertos model human relationships, according to Kerman, and his description of the conversation between solo instrument and orchestra brings this observation vividly to life. What does the solo instrument do when it first enters in a concerto? How do composers balance claims…
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Editions
2 editions- Paperback · English · 2001Harvard University Press · 192 pages · 9780674006737
- Hardcover · English · 1999Harvard University Press · 192 pages · 9780674158917
ConcertoConcertos (Violon)Concerten (muziekwerken)Concertos (Piano)KonzertHistoire et critiqueConcertosMusic, historiography









